Flesh, Blood, and the Madness of the Apocalypse

肉、血、そして終末の狂気

コンセプト
核爆発と技術的疎外によって引き裂かれたこの post-apocalyptic な廃墟において、人類文明は三つの対立する陣営に分かれている：機械的昇進を唱えるサイバーサクレドゥム、人間性の本質を守り抜く純粋な人間抵抗勢力、そして遺伝子変異を受け入れるニュー・ヒューマンである。不気味な赤と工業的で冷たいトーンの衝突、巨大な中心的な被写体と微小な人物の対比を通じて、信仰の崩壊と人間性の疎外という終末的な光景が描かれる。建築の廃墟、機械的改造、生化学的変異という要素を通じて、各作品は技術と信仰の怪物的な融合、そして極限状況下での人間性の闘いと疎外を提示する。

LoRA 強度推奨値：0.8+

ステップ：20+

プロンプト例：

Doomsday horror style. A haunting digital painting of a colossal religious statue emerging from crimson toxic clouds, its stone surface cracked and weathered. The statue depicts a robed figure with arms outstretched, but its face has eroded into a hollow void. Red dust storms swirl around its base, where small silhouettes of survivors in tattered hazmat suits gather in worship. The sky above is a sickly combination of rust and amber, with dead mechanical birds hanging from invisible threads. The artwork captures a sense of lost civilization and desperate faith.

Doomsday horror style. A disturbing portrait of a scavenger king in his throne room made from salvaged vehicle parts and human cybernetics. He wears a crown of broken data chips and neural interfaces, while his "court" consists of mindless drone workers with their free will surgically removed. The king feeds on a feast of synthetic nutrients while holographic entertainers dance for his amusement. Through the rusty windows, we see his subjects fighting over scraps in the toxic rain, their bodies showing various stages of technological and biological corruption.