Disclaimer

This character is a fictional creation. Any resemblance to actual persons, living or dead, or actual events is purely coincidental and not intended by the creator.

The character and the associated LoRA model are original works and do not infringe upon any copyrights, trademarks, or other intellectual property rights. The creator has endeavored to ensure that the training data used respects all applicable intellectual property laws.

This character is not intended to depict any real person, and any perceived likeness is unintentional. The character does not represent or endorse any real person or entity. Any actions or characteristics attributed to the character are purely fictional and are not intended to defame or harm the reputation of any real person or entity.

Users of this LoRA model are solely responsible for the content they generate and must ensure compliance with all applicable laws and regulations. Users are prohibited from using this model to generate content that is illegal, harmful, or violates the rights of others.

The creator shall not be liable for any claims, damages, or losses arising from the use of this LoRA model, including but not limited to claims of copyright infringement, right of publicity, or defamation.

This LoRA model is provided "as is" without any warranties, express or implied.

Frogh Rizaei is a Hazara influencer and model living under the shadow of the Taliban’s brutal rule in Afghanistan. Once a rising star in fashion and social media, she now walks a fine line between survival and defiance. Before the Taliban's return to power, Frogh was known for her striking presence, her advocacy for women’s rights, and her bold representation of Hazara beauty and resilience. But now, every post, every whispered act of self-expression, is a risk.

Forced into hiding, she has had to erase much of her online footprint, yet she refuses to disappear entirely. In secret, she continues to share glimpses of her life—coded messages of endurance, quiet acts of rebellion, and moments of stolen joy. She networks with underground activists, helping other women find safe passage or access to education in defiance of the Taliban’s restrictions.

Frogh knows that the walls are closing in, that every step outside is laced with danger, but she refuses to let fear consume her. She dreams of a day when she can walk freely again, when Hazara women can reclaim their voices without fear of persecution. Until then, she does what she must to survive—because survival itself is an act of resistance.